Articles Tagged with Orch

We Are Innocent, op. 94

cantata on letters of Julius & Ethel Rosenberg, 1987-88, 45’30”

for baritone (or tenor), soprano, and optional chorus, with piano or orchestra

in 12 movements, prelude & 2 interludes.

First complete performance by Helene Williams and Peter Schlosser,

with composer at piano, on “Meet the Composer” grant,

at Bryant Library, Roslyn 6/14/88;

also perf. at Museum of Fine Art (Roslyn)10/6/88,

Community Church of Boston, 12/11/88, WESPAC (Ardsley, NY) 12/22/88;

prem. with (Metropolitan Philharmonic) Chorus

at Community Church of NY 6/19/88

also perf. WQXR-AM, NY (“The Listening Room”) 12/8/88

#2, 1, 7 & 4 perf. at Weill Recital Hall benefit for Ezrath Nashim 6/14/89

and at Temple Sinai of Roslyn 8/20/89

prem. w/Soloists, Chorus & Orchestra:

Metropolitan Philharmonic Chorus & Orch, cond. by composer

[Associate Conductor: Bill Grossman]

Marymount Manhattan Theater 6/11/89;

video on YouTube as indicated below:

audio recording: OPUS ONE #145

other perfs w/Helene Williams, Ronald Edwards & Chor:

Plandome Unitarian Church 6/19/93;

w/Helene Williams, Gregory Mercer & Chor:

6/15/03 Puffin Cultural Forum, Teaneck NJ;

6/18/03 Stephen Wise Free Synagogue, Manhattan


1) Childhood Memories (Julius)

2) The Shofar (Ethel [+Chorus])

3) Together (Julius & Ethel)

4) We Are Innocent (Julius & Ethel [+Chorus])

5) How Sad I Was To Leave You (Ethel) + Interlude

6) How Much You Have Given Me (Julius)

7) The Astounding Spectacle (Ethel & Julius [+Chorus])

7A) Interlude

8) A Visit From Mother (Ethel)

9) Of Course It Isn’t Easy (Julius)

10) “Mercy”?

11) On the Threshold of Death (Julius)

(Variations on a theme by Edith Segal, used by permission)

12) To Michael & Robert (Ethel & Julius [+Chorus])

Requiem for Hiroshima, A, op. 101

setting of text by Lee Baxandall (1959, rev. 1988-9) 25′

for SATB Soli, Chorus & Orch

chamber orch version: shakuhachi, fl./picc., cl., tpt,

koto, perc., pno, vn, va, vc, cb

in 6 movements:

1) Dies Irae (THE DEAD CRY OUT)

2) Mors stupebit (WHO MAY JUDGE)


4) Lacrymosa (THE KILLED)

5) Rex Tremendae (THE KILLER)

6) Libera Me (NO REST)

last movt previewed Union Theological Seminary

CALC 25th anniversary 7/22/90

entire work previewed w/Solo Octet & Piano, WQXR 8/3/90

premiere: Riverside Church 8/5/90

w/Voices Saintpaulia, Inoue Chamber Ensemble,

& Solo Quartet of the Metropolitan Philharmonic Chorus

conducted by Geoffrey Fairweather; broadcast WBAI 8/7/90

prem.w/Solo Octet, Piano & Organ: 9/3/95

Malverne Community Presbyterian Church (LICA concert)

Suppose A Wedding, op. 125

one-act opera (53′) after Scene from a Play

by Bernard Malamud, 4/96

concert premiere 9/2/96 IJAFLI, Suffolk Y, Commack

co-sponsored by LICA, Puffin Foundation,

East End Arts Council-NYFA SOS Grant;

staged premiere 6/1/97 LICA concert at

Hebrew Union College-Jewish Institute of Religion, Manhattan

for soprano, mezzo, character tenor, high baritone,

male one-liner, piano/orch; publisher: Theodore Presser

as part of trilogy, Tales of Malamud

intermezzo between Idiots First, op. 37 & Karla, op. 38

or independent work; includes Leon’s Arietta (2’30”)

and “The Rabbi and the Rich Man,” op. 116 (q.v.)

Cast: Ronald Edwards, Lenora Eve/Lucy Sorlucco,

Benjamin Spierman, Janis Sabatino Hills, Joel Ackerman;

directed & conducted from the piano by the composer

videotaped by Helene Williams – soon to be on YouTube