a cappella duet, composed originally in 1966 for puppet play;
revised for use in new (original) one-act play
Adam and Lilith and Eve, 1993
premiered in concert 8/20/94, Moravia, NY
in full staging of play 6/24/95, Bucksteep, MA
a cappella duet, composed originally in 1966 for puppet play;
revised for use in new (original) one-act play
Adam and Lilith and Eve, 1993
premiered in concert 8/20/94, Moravia, NY
in full staging of play 6/24/95, Bucksteep, MA
setting for 2 voices a cappella, 1996 of Christina Rossetti poem (3′)
premiered by Helene Williams & Ronald Edwards,
Kleine Szene, Saechsische Staatsoper, Dresden, Germany 7/2/96
and by Ron with Janis Sabatino Hills
at Adelphi University 10/7/96 (both LICA concerts);
also sung by Helene & Paul Sperry
on Composers Concordance concert  5/27/04
Two-Part (div.) Round in Hebrew, 1996 (2’00”)
Round for Two-Part Chorus (div.) (2’00”) 3/2001
sung at services in Malverne, Babylon, Huntington, NY;
Wayne (10/24/07), Montclair (a cappella 10/26/08),
Denville (10/24/10) NJ, 2001-2010
English translation by composer of Shalom Rav, op. 130 (1996)
3-part round (2’00”) for Pete Seeger, on a text provided by him, 4/25/98
premiered Malverne Community Presbyterian Church 6/15/98
and there again, on LICA concert, 11/15/98
“Meine Gedanken Wollen Nicht Ruhen”
setting of German text by “Charles” (Karlheinz Schulze-Michels)
in memory of Franz Pindorfer, Autumn 2000;
English tr. by composer
for solo voice a cappella (3’00”)
3-part chorus (1’15”), Oct. 14, 2001
on Presbyterian Church Confession of 1967
premiered by Malverne Community Presbyterian
Church Choir, Nov. 2001
a cappella round in two parts (1’00”)
#1 of Two Abel Meeropol Rounds
premiered by Metropolitan Philharmonic Chorus,
Queens College, Feb. 23, 2003
recorded on Original Cast Records CD 6055
The Abel Meeropol Centennial Concert
duet for soprano & tenor, a cappella (1’22”)
on text by Abel Meeropol;
premiered by Helene Williams & Gregory Mercer,
Queens College, Feb. 23, 2003;
recorded on Original Cast Records CD 6055
The Abel Meeropol Centennial Concert
4-part round in Hebrew & English:
If I am not for myself, who will be for me?
If I am only for myself, what am I?
And if not now, then when? (2)
setting of Shakespeare’s Sonnet #29:
“When in disgrace with fortune and men’s eyes”
March, 2007; for SMMTTB
premiered by New Music New York, St. Peter’s Citicorp 5/1/07
aka “Are You Now Or Have You Ever Been,”
part of a projected opera, Alger, based on the story of Alger Hiss.
libretto by Kim Rich; premiered in solo version
by Helene Williams & composer, Tamiment Library NYU 6/13/07
premiere of choral version 6/17/10 by members of
Metropolitan Philharmonic Chorus & NY City Labor Chorus
at Local 802, viewable on YouTube at
Text by Gerard Manley Hopkins; one of two settings of the same text for 4-part chorus of mixed voices, unaccompanied.
Text by Gerard Manley Hopkins; one of two settings of the same text for 4-part chorus of mixed voices, unaccompanied.
for SAB or Soprano Solo & Piano/Organ, or Organ Solo
for United Methodist Church Huntington/Cold Spring Harbor
to Rev. Warren Beaven, in memory of Dr. Sterrett P. Beaven 7/15/09
solo soprano version for Helene Williams,
premiered at LICA Concert at church 6/13/10
by Steven Rosenhaus for TTBB chor 00:02:00 1984
by Frank Retzel for chor 00:06:00 1992
by Julie Mandel for SATB A CAPPELLA CHORUS 00:05:00 2008
by Julie Mandel for chorus 00:05:00 2006
by Jay Anthony Gach for satb (w/divisi) 00:04:00 1991
by Jay Anthony Gach for satb w/divisi 00:05:00 1992
by Jay Anthony Gach for satb 00:05:00 2002
by Jay Anthony Gach for satb 00:04:00 2004
by Allen Brings for chor 00:08:30 2006
by Allen Brings for chor 00:04:00 1994
by Matthew Baier for SATB – a cappella 00:03:21 1980