Articles Tagged with Chor

Universal Declaration of Human Rights, The, op. 99

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setting of preamble for SATB and Piano or Winds & Percussion

(8′) Summer 1988; prem. at United Nations 10/26/88

by Solo Quartet of the Metropolitan Philharmonic Chorus

(Helene Williams, Mara Goodman,

Herman Gaddy, Douglas Kiddie);

also perf. by them, Temple Sinai, Roslyn 8/20/49;

and by Christ Church Babylon Choir 10/24/04

Requiem for Hiroshima, A, op. 101

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setting of text by Lee Baxandall (1959, rev. 1988-9) 25′

for SATB Soli, Chorus & Orch

chamber orch version: shakuhachi, fl./picc., cl., tpt,

koto, perc., pno, vn, va, vc, cb

in 6 movements:

1) Dies Irae (THE DEAD CRY OUT)

2) Mors stupebit (WHO MAY JUDGE)

3) Liber Scriptus (THIS IS WHAT WAS DONE. THIS IS WHO WE WERE)

4) Lacrymosa (THE KILLED)

5) Rex Tremendae (THE KILLER)

6) Libera Me (NO REST)

last movt previewed Union Theological Seminary

CALC 25th anniversary 7/22/90

entire work previewed w/Solo Octet & Piano, WQXR 8/3/90

premiere: Riverside Church 8/5/90

w/Voices Saintpaulia, Inoue Chamber Ensemble,

& Solo Quartet of the Metropolitan Philharmonic Chorus

conducted by Geoffrey Fairweather; broadcast WBAI 8/7/90

prem.w/Solo Octet, Piano & Organ: 9/3/95

Malverne Community Presbyterian Church (LICA concert)

I’d Like to go Away Alone, op. 105

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setting of poem by Alena Synkova (child survivor of Terezin)

Eng. tr. by Jeanne Nemcova, for Voice & Piano/Organ

(1’27”) 2/91, premiered at Merkin Hall 6/23/91 by

Helene Williams & Composer; recorded on

Songs of Conscience cassette 3/91 & CD 6/03;

arr. (op. 105A)  for Solo Soprano with SATB Chorus

& Piano/Organ; premiered by Cantor Susan Alcott,

Asbury Choir, Asbury United Methodist Church 4/27/95;

also performed by Helene Williams &

Workmen’s Circle Chorus, CUNY Graduate Ctr, 4/18/04

Song, op. 120A

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2003 completion of 1925 13-measure sketch by Marc Blitztsein

on poem by Rupert Brooke, for Voice & Piano;

also arr. for SATB & Piano;

premiered by Helene Williams & Leonard Lehrman

and recorded by them 10/9/04 in Boulder, CO;

released on Original Cast Records OC 6127

The Marc Blitzstein Centennial Concert CD;

choral version premiered at Blitzstein Centennial concerts,

Feb.-Mar. 2005

Mi Chamocha, op. 129 #6

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#6 from Friday Evening Service, op. 129 (1996) in Hebrew (2′)

octatonic setting for solo voice & piano/organ

(w/optional unison chorus)

sung by Helene Williams on LICA concerts at

Malverne Community Presbyterian Church, 11/15/98

and Plainview-Old Bethpage Library 12/19/10

Friday Evening Service, op. 129

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in Hebrew & English (45′), 1996, for Cantor, SATB, Children’s Choir,

Organ/Piano +obbligato Flute, Clarinet, Harp, Cello, Violin (in #12)

commissioned by North Shore Synagogue,

dedicated to Rabbi Daniel Fogel, premiered there 4/11/97 (45′)

1. Prelude

2. A New Song (Shir Chadash)(Heb. & Eng.)

3. Reader’s Kaddish (Heb.)

4. Barchu (Heb.)

5. Shma (Heb.)

6. Mi Chamocha (Heb.)

7. Hashkivenu (Heb./Eng.)

8. V’Shamru (Heb.)

9. Avot V’Emaot (Heb. [arr.])

10. Yis’mchu (Heb.) [op. 53 #1]

11. Zog nit keynmol (Yiddish & Eng.[arr.])

12. Shalom Rav (Heb.)[w/Vn obblig.]

13. Meditation

14. May the Words (Eng.) [op. 52A]

15. Adoration (Eng.) [op. 53#2]

16. Kaddish Underscore [op. 63]

17. Lo Yisa Goi (Heb.[arr.])

18. Postlude

Faith, op. 138

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setting of text by James Baldwin (3′)

for solo voice or SATB chorus & piano;

choral premiere, Malverne Community Presbyterian Church 11/15/98

solo premiere, Helene Williams & composer, Hofstra (LICA) 1/17/99

also sung by Faith Steinsnyder with composer at piano

8/16/09, 8/20/09, 8/8/10, 1/23/11 (Lehrman birthday concerts)

What Can I Give?, op. 145

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2-part canon with accompaniment (+optional bells)

setting of poem by Christina Rossettii (2′)

for Malverne Community Presbyterian Church Jr. Choir

premiered by them 12/17/00;

performed & recorded with bell choir,

St. George’s Church, Hempstead 12/10/06

Second Inaugural, op. 169

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setting of portion of Abraham Lincoln’s Second Inaugural Address

for SATB & Keyboard

premiered at Christ Church Babylon, 2/13/05

performed & recorded by Metropolitan Philharmonic Chorus 2/26/06

also performed in Wooster, OH 2/12/09

and in Chicago, conducted by Michael Teolis, 2/15/10

Conspiritor Reality, op. 184

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aka “Are You Now Or Have You Ever Been,”

part of a projected opera, Alger, based on the story of Alger Hiss.

libretto by Kim Rich; premiered in solo version

by Helene Williams & composer, Tamiment Library NYU 6/13/07

premiere of choral version 6/17/10 by members of

Metropolitan Philharmonic Chorus & NY City Labor Chorus

at Local 802, viewable on YouTube at